The Merzbow Archive series by Slowdown Records, which has released nine editions so far, enters its tenth edition. This edition contains recording material from 2004 to 2005. Merzbow was very busy during this period, releasing a huge number of works including "Merzbird", "Sphere", and "Turmeric", and performing overseas. As a result, there were not many sound sources that had been completed and unreleased, so this edition contains mainly edited rehearsal sound sources for live performances. The rehearsal sound sources were composed with live performances in mind, and included patterns that were used repeatedly in live performances at the time, but the overlapping parts were edited out to ensure the individuality of the work. Other than the live rehearsals, the album contains re-issues from the very few edition works at the time, long mixes of previously released songs, and outtakes. Merzbow started to use laptops as well as self-made instruments and analog equipment in his live performances around the latter half of 2005, so the period of this edition can be seen as the culmination of his laptop-only performances and productions that he have been attempting since 1999. In 2003, he became a Vegan in ideology, and the theme of his music production shifted toward Veganarchism (Vegan Anarchism), and many animal motifs appeared in his artwork and titles.
This album "1633+" is the complete version of the record "1633" released in 2004 by en/off in Germany in a limited edition of 25 copies, plus one unreleased track. The first track is assaulted with extremely heavy noise and rhythmic movements. The second track has a variety of developments created by noise, repetitive sounds, and strange acoustics as sounds like found objects run through the space, and the third track has an impressive burst of sound movements with long periods. This is a masterpiece in which you can hear different approaches in each.
yorosz(aka Shuta Hiraki)
released December 26, 2021
Composed, Mixed, Performed by – Masami Akita
Recorded & Mixed at Bedroom, Tokyo May 2004.
Remastered at Munemihouse, Tokyo 2020.
Mastered at Kentaro Hayashi, Osaka, Japan.
Yasuyuki Nakamura (slowdown records) : A&R
マサミは1970年代以降のノイズ業界で40年以上働いており、スケルチ、ブリーチ、ドローン、爆発的なブザー、高音のスケルチが彼のトレードマークであることを理解する必要があります。このラケットには喜びがあり、発見する価値があります。マサミのおかげで感謝祭で七面鳥の料理と食事をやめました！He has been working with post 1970s noise for more than 40 years & you need to understand that scratchy squelches, bleats, drones, explosive buzzes & high pitched squealing squeals are his trademark. There is joy in this racket & it is well worth discovering. I've stopped cooking and eating turkey on Thanksgiving thanks to Masami! MERZILLA
Culled from unreleased recordings from her recent "Light Sleep" and "Voice Hardcore" releases, Hiromi Moritani's latest showcases the softer, less harrowing side of Phew’s sound Bandcamp Album of the Day Sep 2, 2020